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Saturday

Greenland review

Greenland


Delayed due to the closure of cinemas, Greenland's arrival in the middle of a pandemic makes its anxiety-inducing, apocalyptic atmosphere feel uncomfortably timely. 


Butler, playing yet another everyman, is reliably solid as John Garrity, whose marital problems are put into perspective by an incoming comet that will send mankind the way of the dinosaurs in 48 hours' time. He, his wife and son are among the lucky ones selected for evacuation to a secret bunker. But, in a world filled with scared people desperate for the wristbands that show they've been chosen, getting there won't be easy.


Greenland's strength lies in its intimacy in the midst of an event whose global scale is relayed via news reports. We stay close to the family as they travel through a disintegrating landscape of givers and takers, stressfully experiencing every ounce of their fear and dread. There are bursts of sfx action, but it is the film's human-sized focus, groundedness, and attention to detail that ultimately keep you gripped


Greenland is on Amazon Prime now

Sunday

Actor Grant Rosenmeyer talks about making Come As You Are, and the controversy surrounding the casting of able-bodied leads as disabled characters


Grant Rosenmeyer, 29, has appeared in Wes Anderson’s classic comedy-drama The Royal Tenenbaums, Money Monster with Julia Roberts and George Clooney, the groundbreaking TV show Crazy Ex-Girlfriend and Larry David’s Curb Your Enthusiasm, among other things, but he’s never talked about anything for as long as he’s been chinwagging about his latest film, Come As You Are. And he’s pleasantly surprised.

As the lead and producer of the modest independent feature, which had its première at the South by Southwest festival in Austin, Texas, in February last year, he never imagined it being seen outside the United States, he admits over WhatsApp from his home in coronavirus-locked Los Angeles.

“It’s just too big a dream,” explains Rosenmeyer. “You make a little movie for, like, a million bucks or so, and you don’t know what’s going to happen. You hope anybody sees it. You hope anybody likes it. So it’s definitely encouraging to see that it’s getting a life elsewhere. We’re now in 13 or 14 territories, which is kind of trippy.”

Read the full story here: 

https://www.thejc.com/culture/film/grant-rosenmeyer-on-his-new-film-come-as-you-are-1.501618

Monday

Matthew Shoychet Talks About His Eye-Opening Documentary, The Accountant Of Auschwitz



Exploring the trial of Oskar Gröning 70 years after his crimes

Stephen Applebaum speaks to the director of a new film that explores the controversial trial of former SS guard Oskar Gröning




The subject of the Shoah was important to director Matthew Shoychet “as a Jew” – but he didn’t want to make a film just for Jews. Neither did he want to risk people saying they’d seen it all before. He asked himself: “How do we make it unique and a modern story?”

The answer was Oskar Gröning who, in 2015, was put on trial in Luneburg, Germany, at the age of 93, as an accessory to the murder of 300,000 Hungarian Jews.

Shoychet’s resulting documentary, The Accountant of Auschwitz, now available on DVD and digital platforms, is a fascinating insight into the controversial trial of the former Nazi.



Saturation Divers Under Pressure In The Documentary Last Breath

Last Breath: Real-life drama of the North Sea diver who cheated death

Stephen Applebaum tells the story of Chris Lemons, left trapped without oxygen for half an hour on the seabed, and the rescue bid mounted by his colleagues in what is diving’s most dangerous industry

Last Breath (Image Courtesy of Dogwoof)
Imagine being stuck at the bottom of the North Sea, with an emergency supply of air that is quickly running out, and no immediate help available. Such was the predicament that diver Chris Lemons was plunged into on 18 September 2012, when the umbilical cord that connected him to a diving bell, providing him with gas for breathing, hot water, communications and electricity, snapped, during routine work on a drilling structure at the Huntington oil field, 115 miles east of Peterhead, Aberdeenshire.

What happened next became a sensation inside the global diving community. People were keen to know how Lemons’s employer, Bibby Offshore (now renamed Rever Offshore), had dealt with the situation, so the company commissioned a short industry film, Lifeline, from Floating Harbour Films, in 2013, to, says the production company’s website, “highlight the potentially extreme consequences of an incident in the workplace”.

This has now been developed into Last Breath, a feature-length documentary which uses convincing reconstructions, original footage (there was a wealth of it, captured by different devices in the water and on board the Diving Support Vessel Bibby Topaz), and gripping interviews with some of the key people involved, including Lemons’s team mates, Dave Yuasa and Duncan Allcock, and dive supervisor Craig Frederick, to create a nailbiting tale of survival against the odds.