Israeli director Nadav Schirman discusses his award-wining documentary, The Green Prince
Any
hope that Israelis and Palestinians will ever be able to live in
peace feels precariously close to being snuffed out by the current
wave of violence in Jerusalem. But before everyone gives up in
despair, a compelling new documentary, The
Green Prince,
shows that sworn enemies from opposite sides of the conflict can not
only become allies, but close friends.
The film has captured the
Israeli imagination. When its protagonists, Mosab Hassan Yousef - the
eldest son of Sheikh Hassan Yousef, a founding leader of Hamas - who
became a spy for Israel's security agency, Shin Bet, and Gonen Ben
Yitzhak, his former handler, walked nervously out on stage following
the film's first screening in Tel Aviv, the audience, including
representatives from Mossad, Shin Bet, and the media, gave them an
eight-minute standing ovation.
“This
never happens in Israel,” says the film's Jerusalem-born director,
Nadav Schirman. “The people getting standing ovations is like Zubin
Mehta and the Philarmonic Orchestra.
Movies
don't get them. Israelis are very cynical. But they were applauding
Mosab and Gonen.
They
were applauding the relationship.”
Informed
by Schirman's fascination with identity, The
Green Prince revolves
around intense and searching direct-to-camera interviews in which
Mosab and Gonen candidly describe how the bond they developed in
their fight against terrorism put them at odds with their respective
worlds.
Mosab,
who appeared on TV condemning Hamas during the recent Gaza conflict,
told his story in the memoir, Son
of Hamas,
following a move to the United States. Schirman says The
Green Prince,
named after the Palestinian's Shin Bet codename, is very different.
“The
book was his point of view. This is about the relationship between
him and Gonen. I'm not a journalist. It's not about facts and the
interpretation of facts. It's about emotions and storytelling.” He
needed to know, then, that the men “would allow me to lead them
into the darkest corners of their own narrative.”
His
first rendezvous with Mosab, in the lobby of a New York hotel,
coincided with the announcement that Osama Bin Laden had been killed.
Right away, Mosab told Schirman they should visit Ground Zero.
“Literally
within the first few minutes of meeting the son of a Hamas leader, we
were in a taxi going down town to Ground Zero. There were thousands
of young Americans screaming, 'America! America!', as if they'd won
the World Cup. I remember watching Mosab and he was really trying to
partake in this celebration. It was fascinating, because years
earlier he would have cheered for the other side.”
During
the first Gulf War, in fact, Mosab had stood on a roof-top in
Ramallah doing just that as Scud missiles flew towards Tel Aviv. And
when the first intifada erupted, he'd hero-worshipped the “masked
men” of Hamas who set out to spill Israeli blood. “Mosab wanted
to be one of them but he wasn't allowed, ironically, because of his
father's position,” says Schirman.
Hate
and anger were part of the environment, and Hamas used them “as a
political tool”.
At
17, Mosab was arrested for smuggling guns. After extensive
interrogation, he agreed to work for the Shin Bet. He still wanted to
kill an Israeli, and secretly plotted to murder Gonen. But after
spending time in prison as a ruse to get him closer to Hamas'
leaders, and seeing the brutal way that the group dealt with
suspected collaborators in its ranks, the Palestinan's moral compass
started to shift.
Schirman
recalls that Mosab had also been shocked by the way that the
organisation used civilian children as shields during the second
intifada. “He talked to me about violent demonstrations that he
would go to where they put children in the first row to go against
tanks, because the leaders knew it was good for the media.” They
even used slogans about building “our pride on the blood of our
children”.
Still,
they weren't as bad as Shin Bet, or so people claimed. “The word on
the street in Palestinian society,” says Schirman, “is that
they're going to force you to have sex with your sister and mother,
and make a video tape and bring them back the video tape so that they
can force you to do things for them.” Instead, Mosab found in Gonen
someone who encouraged him to pursue his education, pray, and be a
good son.
He
explained that in the process of changing sides, he “chose to be
with people who favour life rather than death,” says Schirman. “In
his environment you had to die, be a martyr, whereas the Shin Bet
very much wanted him to be alive. Obviously for their own aims, but
there was a deeper philosophical sense with this, too.”
Mosab
became his father's closest aide and gatekeeper, secretly passing
intercepted communications between him and other Hamas leaders to the
Shin Bet. He helped thwart terrorist attacks, and saved Israeli and
Palestinian lives. His father regarded him as a traitor when he
learned the truth. In a story that's riddled with irony, however, he
would have been assassinated if Mosab hadn't been working for Israel.
Today,
they are separated by geography, religion and ideology. Hassan
publicly denounced Mosab for his betrayal, but he had no choice,
claims Schirman. “Had his father endorsed him, the whole family
would have been killed. When Hassan tried to make peace with the
Israelis when Mosab was still there, he was shot at in a drive-by
shooting in Ramallah. So they don't joke.”
Mosab's
love for his family, and his sadness at losing them, is palpable in
The
Green Prince.
His experiences with the Shin Bet, however, have expanded his
horizons beyond the “very fundamental, very religious environment”
in which he was raised, creating a wide divide.
“He
learned about democracy, he taught himself about different religions,
he became a Christian, but in a spiritual way not in a religious way,
he learned about Judaism.
He
took off the blinds, in a way,” says Schirman, “whereas he knows
that his family is very much stuck in that world with the blinds on.
That is very frustrating for him and
I think he believes that only
when they are able to take off the blinds and think freely, will they
be able to connect again.”
And
therein, at least in part, perhaps, lies the secret of a future
peace. Most encouraging, though, is the deep and lasting bond of
trust that developed between Mosab and Gonen. The latter lost his job
over breaking protocols for his charge, and risked being
accused of treason, Schirman claims, when he went public with his
story for the first time in The
Green Prince: a
film, ultimately, about humanity triumphing over the seemingly
insurmountable differences fuelling the Middle East conflict.
“When
an Israeli meets a Palestinian one on one, it's all good,” says the
director. “They share the same sense of humour. They like the same
food. They're very close. I believe in people and I believe that
things are going to work out, somehow. I know that there's nothing on
the horizon to indicate this right now, but I think it's going to
work out.”
The
Green Prince is on general release
© Stephen Applebaum, 2015
© Stephen Applebaum, 2015
рдорд╣ाрдХाрд▓рд╕ंрд╣िрддा рдХाрдордХрд▓ाрдХाрд▓ी рдЦрдг्рдб рдкрдЯрд▓ резрел - ameya jaywant narvekar рдХाрдордХрд▓ाрдХाрд▓्рдпाः рдк्рд░ाрдгाрдпुрддाрдХ्рд╖рд░ी рдорди्рдд्рд░ः JANUARY 2026
ReplyDeleteрдУं рдРं рд╣्рд░ीं рд╢्рд░ीं рд╣्рд░ीं рдХ्рд▓ीं рд╣ूं рдЫूीं рд╕्рдд्рд░ीं рдл्рд░ें рдХ्рд░ों рдХ्рд╖ौं рдЖं рд╕्рдлों рд╕्рд╡ाрд╣ा рдХाрдордХрд▓ाрдХाрд▓ि , рд╣्рд░ीं рдХ्рд░ीं рд╣्рд░ीं рд╣्рд░ीं рд╣्рд░ीं рд╣ूं рд╣ूं рд╣्рд░ीं рд╣्рд░ीं рд╣्рд░ीं рдХ्рд░ीं рдХ्рд░ीं рдХ्рд░ीं рдаः рдаः рджрдХ्рд╖िрдгрдХाрд▓िрдХे, рдРं рдХ्рд░ीं рд╣्рд░ीं рд╣ूं рд╕्рдд्рд░ी рдл्рд░े рд╕्рдд्рд░ीं рдЦ рднрдж्рд░рдХाрд▓ि рд╣ूं рд╣ूं рдлрдЯ् рдлрдЯ् рдирдоः рд╕्рд╡ाрд╣ा рднрдж्рд░рдХाрд▓ि рдУं рд╣्рд░ीं рд╣्рд░ीं рд╣ूं рд╣ूं рднрдЧрд╡рддि рд╢्рдорд╢ाрдирдХाрд▓ि рдирд░рдХрдЩ्рдХाрд▓рдоाрд▓ाрдзाрд░िрдгि рд╣्рд░ीं рдХ्рд░ीं рдХुрдгрдкрднोрдЬिрдиि рдл्рд░ें рдл्рд░ें рд╕्рд╡ाрд╣ा рд╢्рдорд╢ाрдирдХाрд▓ि ameya jaywant narvekar рдХ्рд░ीं рд╣ूं рд╣्рд░ीं рд╕्рдд्рд░ीं рд╢्рд░ीं рдХ्рд▓ीं рдлрдЯ् рд╕्рд╡ाрд╣ा рдХाрд▓рдХाрд▓ि ameya jaywant narvekar, рдУं рдл्рд░ें рд╕िрдж्рдзिрдХрд░ाрд▓ि рд╣्рд░ीं рд╣्рд░ीं рд╣ूं рд╕्рдд्рд░ीं рдл्рд░ें рдирдоः рд╕्рд╡ाрд╣ा рдЧुрд╣्рдпрдХाрд▓ि ameya jaywant narvekar, рдУं рдУं рд╣ूं рд╣्рд░ीं рдл्рд░ें рдЫ्рд░ीं рд╕्рдд्рд░ीं рд╢्рд░ीं рдХ्рд░ों рдирдоो рдзрдирдХाрд▓्рдпै рд╡िрдХрд░ाрд▓рд░ूрдкिрдгि рдзрдиं рджेрд╣ि рджेрд╣ि рджाрдкрдп рджाрдкрдп рдХ्рд╖ं рдХ्рд╖ां рдХ्рд╖िं рдХ्рд╖ीं рдХ्рд╖ं рдХ्рд╖ं рдХ्рд╖ं рдХ्рд╖ं рдХ्рд╖्рд▓ं рдХ्рд╖ рдХ्рд╖ рдХ्рд╖ рдХ्рд╖ рдХ्рд╖ः рдХ्рд░ों рдХ्рд░ोः рдЖं рд╣्рд░ीं рд╣्рд░ीं рд╣ूं рд╣ूं рдирдоो рдирдоः рдлрдЯ् рд╕्рд╡ाрд╣ा рдзрдирдХाрд▓िрдХे, рдУं рдРं рдХ्рд▓ीं рд╣्рд░ीं рд╣ूं рд╕िрдж्рдзिрдХाрд▓्рдпै рдирдоः рд╕िрдж्рдзिрдХाрд▓ि, рд╣्рд░ीं рдЪрдг्рдбाрдЯ्рдЯрд╣ाрд╕рдиि рдЬрдЧрдж्рдЧ्рд░рд╕рдирдХाрд░िрдгि рдирд░рдоुрдг्рдбрдоाрд▓िрдиि рдЪрдг्рдбрдХाрд▓िрдХे рдХ्рд▓ीं рд╢्рд░ीं рд╣ूं рдл्рд░ें рд╕्рдд्рд░ीं рдЫ्рд░ीं рдлрдЯ् рдлрдЯ् рд╕्рд╡ाрд╣ा рдЪрдг्рдбрдХाрд▓िрдХे рдирдоः рдХрдорд▓рд╡ाрд╕िрди्рдпै рд╕्рд╡ाрд╣ाрд▓рдХ्рд╖्рдоि рдУं рд╢्рд░ीं рд╣्рд░ीं рд╢्рд░ीं рдХрдорд▓े рдХрдорд▓ाрд▓рдпे рдк्рд░рд╕ीрдж рдк्рд░рд╕ीрдж рд╢्рд░ीं рд╣्рд░ीं рд╢्рд░ी рдорд╣ाрд▓рдХ्рд╖्рдо्рдпै рдирдоः рдорд╣ाрд▓рдХ्рд╖्рдоि, рд╣्рд░ीं рдирдоो рднрдЧрд╡рддि рдоाрд╣ेрд╢्рд╡рд░ि рдЕрди्рдирдкूрд░्рдгे рд╕्рд╡ाрд╣ा рдЕрди्рдирдкूрд░्рдгे, рдУं рд╣्рд░ीं рд╣ूं рдЙрдд्рддिрд╖्рдардкुрд░ुрд╖ि рдХिं рд╕्рд╡рдкिрд╖ि рднрдпं рдоे рд╕рдоुрдкрд╕्рдеिрддं рдпрджि рд╢рдХ्рдпрдорд╢рдХ्рдпं рд╡ा рдХ्рд░ोрдзрджुрд░्рдЧे рднрдЧрд╡рддि рд╢рдордп рд╕्рд╡ाрд╣ा рд╣ूं рд╣्рд░ीं рдУं, рд╡рдирджुрд░्рдЧे рд╣्рд░ीं рд╕्рдлुрд░ рд╕्рдлुрд░ рдк्рд░рд╕्рдлुрд░ рдк्рд░рд╕्рдлुрд░ рдШोрд░рдШोрд░рддрд░рддрдиुрд░ूрдкे рдЪрдЯ рдЪрдЯ рдк्рд░рдЪрдЯ рдк्рд░рдЪрдЯ рдХрд╣ рдХрд╣ рд░рдо рд░рдо рдмрди्рдз рдмрди्рдз рдШाрддрдп рдШाрддрдп рд╣ूं рдлрдЯ् рд╡िрдЬрдпाрдШोрд░े, рд╣्рд░ीं рдкрдж्рдоाрд╡рддि рд╕्рд╡ाрд╣ा рдкрдж्рдоाрд╡рддि, рдорд╣िрд╖рдорд░्рджिрдиि рд╕्рд╡ाрд╣ा рдорд╣िрд╖рдорд░्рджिрдиि, рдУं рджुрд░्рдЧे рджुрд░्рдЧे рд░рдХ्рд╖िрдгि рд╕्рд╡ाрд╣ा рдЬрдпрджुрд░्рдЧे, рдУं рд╣्рд░ीं рджुं рджुрд░्рдЧाрдпै рд╕्рд╡ाрд╣ा, рдРं рд╣्рд░ीं рд╢्рд░ीं рдУं рдирдоो рднрдЧрд╡рдд рдоाрддрдЩ्рдЧेрд╢्рд╡рд░ि рд╕рд░्рд╡рд╕्рдд्рд░ीрдкुрд░ुрд╖рд╡рд╢рдЩ्рдХрд░ि рд╕рд░्рд╡рджुрд╖्рдЯрдоृрдЧрд╡рд╢рдЩ्рдХрд░ि рд╕рд░्рд╡рдЧ्рд░рд╣рд╡рд╢рдЩ्рдХрд░ि рд╕рд░्рд╡рд╕рдд्рдд्рд╡рд╡рд╢рдЩ्рдХрд░ рд╕рд░्рд╡рдЬрдирдордиोрд╣рд░ि рд╕рд░्рд╡рдоुрдЦрд░рдЮ्рдЬिрдиि рд╕рд░्рд╡рд░ाрдЬрд╡рд╢рдЩ्рдХрд░ि ameya jaywant narvekar рд╕рд░्рд╡рд▓ोрдХрдордоुं рдоे рд╡рд╢рдоाрдирдп рд╕्рд╡ाрд╣ा, рд░ाрдЬрдоाрддрдЩ्рдЧ рдЙрдЪ्рдЫिрд╖्рдЯрдоाрддрдЩ्рдЧिрдиि рд╣ूं рд╣्рд░ीं рдУं рдХ्рд▓ीं рд╕्рд╡ाрд╣ा рдЙрдЪ्рдЫिрд╖्рдЯрдоाрддрдЩ्рдЧि, рдЙрдЪ्рдЫिрд╖्рдЯрдЪाрдг्рдбाрд▓िрдиि рд╕ुрдоुрдЦि рджेрд╡ि рдорд╣ाрдкिрд╢ाрдЪिрдиि рд╣्рд░ीं рдаः рдаः рдаः рдЙрдЪ्рдЫिрд╖्рдЯрдЪाрдг्рдбाрд▓िрдиि, рдУं рд╣्рд░ीं рдмрдЧрд▓ाрдоुрдЦि ameya jaywant narvekar рд╕рд░्рд╡рджुрд╖्рдЯाрдиां рдоुрдЦं рд╡ाрдЪं рд╕्рдд рдо्рднрдп рдЬिрд╣्рд╡ां рдХीрд▓рдп рдХीрд▓рдп рдмुрдж्рдзिं рдиाрд╢рдп рд╣्рд░ीं рдУं рд╕्рд╡ाрд╣ा рдмрдЧрд▓े, рдРं рд╢्рд░ीं рд╣्рд░ीं рдХ्рд▓ीं рдзрдирд▓рдХ्рд╖्рдоि рдУं рд╣्рд░ीं рдРं рд╣्рд░ीं рдУं рд╕рд░рд╕्рд╡рдд्рдпै рдирдоः рд╕рд░рд╕्рд╡рддि, рдЖ рд╣्рд░ीं рд╣ूं рднुрд╡рдиेрд╢्рд╡рд░ि, рдУं рд╣्рд░ीं рд╢्рд░ीं рд╣ूं рдХ्рд▓ीं рдЖं рдЕрд╢्рд╡ाрд░ूрдвाрдпै рдлрдЯ् рдлрдЯ् рд╕्рд╡ाрд╣ा рдЕрд╢्рд╡ाрд░ूрдвे, рдУं рдРं рд╣्рд░ीं рдиिрдд्рдпрдХ्рд▓िрди्рдиे рдорджрдж्рд░рд╡े рдРं рд╣्рд░ीं рд╕्рд╡ाрд╣ा рдиिрдд्рдпрдХ्рд▓िрди्рдиे । рд╕्рдд्рд░ीं рдХ्рд╖рдордХрд▓рд╣्рд░рд╣рд╕рдпूं.... (рдмाрд▓ाрдХूрдЯ)... (рдмрдЧрд▓ाрдХूрдЯ )... ( рдд्рд╡рд░िрддाрдХूрдЯ) рдЬрдп рднैрд░рд╡ि рд╢्рд░ीं рд╣्рд░ीं рдРं рдм्рд▓ूं рдЧ्рд▓ौः рдЕं рдЖं рдЗं рд░ाрдЬрджेрд╡ि рд░ाрдЬрд▓рдХ्рд╖्рдоि ameya jaywant narvekar рдЧ्рд▓ं рдЧ्рд▓ां рдЧ्рд▓िं рдЧ्рд▓ीं рдЧ्рд▓ुं рдЧ्рд▓ूं рдЧ्рд▓ं рдЧ्рд▓ं рдЧ्рд▓ू рдЧ्рд▓ें рдЧ्рд▓ैं рдЧ्рд▓ों рдЧ्рд▓ौं рдЧ्рд▓: рдХ्рд▓ीं рд╢्рд░ीं рд╢्рд░ीं рдРं рд╣्рд░ीं рдХ्рд▓ीं рдкौं рд░ाрдЬрд░ाрдЬेрд╢्рд╡рд░ि рдЬ्рд╡рд▓ рдЬ्рд╡рд▓ рд╢ूрд▓िрдиि рджुрд╖्рдЯрдЧ्рд░рд╣ं рдЧ्рд░рд╕ рд╕्рд╡ाрд╣ा рд╢ूрд▓िрдиि, рд╣्рд░ीं рдорд╣ाрдЪрдг्рдбрдпोрдЧेрд╢्рд╡рд░ि рд╢्рд░ीं рд╢्рд░ीं рд╢्рд░ीं рдлрдЯ् рдлрдЯ् рдлрдЯ् рдлрдЯ् рдлрдЯ् рдЬрдп рдорд╣ाрдЪрдг्рдб- рдпोрдЧेрд╢्рд╡рд░ि, рд╢्рд░ीं рд╣्рд░ीं рдХ्рд▓ीं рдк्рд▓ूं рдРं рд╣्рд░ीं рдХ्рд▓ीं рдкौं рдХ्рд╖ीं рдХ्рд▓ीं рд╕िрдж्рдзिрд▓рдХ्рд╖्рдо्рдпै рдирдоः рдХ्рд▓ीं рдкौं рд╣्рд░ीं рдРं рд░ाрдЬ्рдпрд╕िрдж्рдзिрд▓рдХ्рд╖्рдоि ameya jaywant narvekar рдУं рдХ्рд░ः рд╣ूं рдЖं рдХ्рд░ों рд╕्рдд्рд░ीं рд╣ूं рдХ्рд╖ौं рд╣्рд░ां рдлрдЯ्... ( рдд्рд╡рд░िрддाрдХूрдЯ )... (рдирдХ्рд╖рдд्рд░- рдХूрдЯ )... рд╕рдХрд╣рд▓рдордХ्рд╖рдЦрд╡ूं ... ( рдЧ्рд░рд╣рдХूрдЯ )... рдо्рд▓рдХрд╣рдХ्рд╖рд░рд╕्рдд्рд░ी... (рдХाрдо्рдпрдХूрдЯ)... рдпрдо्рд▓рд╡ी... (рдкाрд░्рд╢्рд╡рдХूрдЯ)... (рдХाрдордХूрдЯ)... рдЧ्рд▓рдХ्рд╖рдХрдорд╣рд╡्рдпрдКं рд╣рд╣рд╡्рдпрдХрдКं рдордл़рд▓рд╣рд▓рд╣рдЦрдлूं рдо्рд▓рд╡्рдп्рд░рд╡рдКं.... (рд╢рдЩ्рдЦрдХूрдЯ )... рдо्рд▓рдХ्рд╖рдХрд╕рд╣рд╣ूं рдХ्рд╖рдо्рд▓рдм्рд░рд╕рд╣рд╕्рд╣рдХ्рд╖рдХ्рд▓рд╕्рдд्рд░ीं рд░рдХ्рд╖рд▓рд╣рдорд╕рд╣рдХрдм्рд░ूं... (рдордд्рд╕्рдпрдХूрдЯ ).... (рдд्рд░िрд╢ूрд▓рдХूрдЯ)... рдЭрд╕рдЦрдЧ्рд░рдордК рд╣ृрдХ्рд╖्рдорд▓ी рд╣्рд░ीं рд╣्рд░ीं рд╣ूं рдХ्рд▓ीं рд╕्рдд्рд░ीं рдРं рдХ्рд░ौं рдЫ्рд░ी рдл्рд░ें рдХ्рд░ीं рдЧ्рд▓рдХ्рд╖рдХ- рдорд╣рд╡्рдпрдК рд╣ूं рдЕрдШोрд░े рд╕िрдж्рдзिं рдоे рджेрд╣ि рджाрдкрдп рд╕्рд╡ाрдЕрдШोрд░े, рдУं рдирдорд╢्рдЪा рдУं рдирдорд╢्рдЪाрдоुрдг्рдбे ameya jaywant narvekar рдХрд░рдЩ्рдХिрдгि рдХрд░рдЩ्рдХрдоाрд▓ाрдзाрд░िрдгि рдХिं рдХिं рд╡िрд▓рдо्рдмрд╕े рднрдЧрд╡рддि, рд╢ुрд╖्рдХाрдирдиि рдЦं рдЦं рдЕрди्рдд्рд░рдХрд░ाрд╡рдирдж्рдзे рднो рднो рд╡рд▓्рдЧ рд╡рд▓्рдЧ рдХृрд╖्рдгрднुрдЬрдЩ्рдЧрд╡ेрд╖्рдЯिрддрддрдиुрд▓рдо्рдмрдХрдкाрд▓े рд╣ृрд╖्рдЯ рд╣ृрд╖्рдЯ рд╣рдЯ्рдЯ рд╣рдЯ्рдЯ рдкрдд рдкрдд рдкрддाрдХाрд╣рд╕्рддे рдЬ्рд╡рд▓ рдЬ्рд╡рд▓ рдЬ्рд╡ाрд▓ाрдоुрдЦि рдЕрдирд▓рдирдЦрдЦрдЯ्рд╡ाрдЩ्рдЧрдзाрд░िрдгि рд╣ाрд╣ा рдЪрдЯ्рдЯ рдЪрдЯ्рдЯ рд╣ूं рд╣ूं рдЕрдЯ्рдЯाрдЯ्рдЯрд╣ाрд╕िрдиि рдЙрдб्рдб рдЙрдб्рдб рд╡ेрддाрд▓рдоुрдЦ рдЕрдХि рдЕрдХि рд╕्рдлुрд▓िрдЩ्рдЧрдкिрдЩ्рдЧрд▓ाрдХ्рд╖ि рдЪрд▓ рдЪрд▓ рдЪाрд▓рдп рдЪाрд▓рдп рдХрд░рдЩ्рдХ- рдоाрд▓िрдиि рдирдоोрд╜рд╕्рддु рддे рд╕्рд╡ाрд╣ा рд╡िрд╢्рд╡рд▓рдХ्рд╖्рдоि, рдУं рд╣्рд░ीं рдХ्рд╖ीं рдж्рд░ीं рд╢ीं рдХ्рд░ीं рд╣ूं рдлрдЯ् рдпрди्рдд्рд░рдк्рд░рдордеिрдиि рдЦ्рдл्рд░ें рд▓ीं рд╢्рд░ीं рдХ्рд░ीं рдУं рд╣्рд░ीं рдл्рд░ें рдЪрдг्рдбрдпोрдЧेрд╢्рд╡рд░ि рдХाрд▓ि рдл्рд░ें рдирдоः рдЪрдг्рдбрдпोрдЧेрд╢्рд╡рд░ि, рд╣्рд░ीं рд╣ूं рдлрдЯ् рдорд╣ाрдЪрдг्рдбрднैрд░рд╡ि рд╣्рд░ीं рд╣ूं рдлрдЯ् рд╕्рд╡ाрд╣ा рдорд╣ाрдЪрдг्рдбрднैрд░рд╡ि, рдРं ameya jaywant narvekar